When the facts count.
Technical Data
Control Panel
- Frames from 16 + 8 faders to 48 + 8 faders
- 6 banks per 2 layers
- 100 mm faders + 4 rotary controls + Input Gain Controller
- Channel display for every fader with sense-triggered change of module display in the Channel Display
- TFT metering mono, stereo or 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA assignment
- External display of GUI pages e.g. metering
- Optional: script tray, user panels for machine control, theatre application, talkback or 80-push-button module
- 19 inch integration, 2 RU
Signal Processing
- 512 channels and 144 summing buses, 40 bit floating point
- Up to 376 inputs with A/B input, 48 sub groups, 32 aux sends, 96 track buses, 48 main sums, change on the fly from mono to stereo to surround channel and bus
- Up to 64 surround channels, 128 VCA groups with metering, 256 GPC channels
- Surround formats: DTS/Dolby Digital 5.1, Dolby Pro Logic 4.0, DTS ES / Dolby EX 6.1, SDDS 7.1, Lawo 7.1, diverse panning characteristics, surround aux buses
- 2* AFL: 1* surround 8-channel, 1* stereo
- 2* PFL stereo
- Audio-follow-Video with 128 events, control either via Remote MNOPL, GPI or Matrix Connect, adjustable envelope up to 10 s fade time
- Solo In Place
- Permanent input measuring point in the fader, adjustable measuring points INPUT, PF, AF, DIROUT in the Channel Display
- Modules: Inmix with MS-Decoder, Digital Amp, 2-band fully parametric Filter, 4-band fully parametric EQ, 2-band fully parametric Sidechain Filter, Insert, Delay up to 1800 ms, units in frm, ms and m, 4 independent Dynamics: Expander, Gate, Compressor, Limiter; Image, Meter, Direct Out
- Inline configuration with send/return switching - at the channel or global
- Fully equipped surround channel with coupling of all channel parameters and Hyper Panning
Routing Matrix
- Up to 8192 crosspoints, non-blocking
- 96 kHz, 24 bit
- Fully redundant signal path
- Level adjustment for all inputs and outputs
- Downsizing up to 7.1 to Stereo
- Integrated monitoring devices for remote positions e. g. Director’s Room
- Full networking of up to 16 HD Cores, share and import of sources and destinations, studio arbitration
- Full snapshot and production portability independent of matrix or DSP size
Plugin Server
- Full VST plugin integration with storing of plugin parameters in snapshots and productions
Interfaces
- Mic/Line, with up to 127 dB dynamic range, subsonic fi lter 40, 80, 140 Hz Line Out, ADAT® (ADAT® is a registered trademark of Alesis, LLC and is used here under license.)
- AES with input and output SRC, transparent Dolby E routing, balanced and unbalanced
- HD-SDI with up to 270 ms delay on board, MADI 64 & 56 with fi bre or coax, ATM, GPIO, Serial, MIDI
- Direct intercom connection, all interfaces with 24 bit, 96 kHz (for details see DALLIS product information)
- Monitoring systems stereo and surround
Synchronisation
- 2 redundant inputs with automatic detection of Blackburst, Wordclock, AES3, MADI
Redundancies
- PSUs, DSP boards, router board
- Fully redundant signal path
- PSU for control system and control panel
Control
- Bay-Iso with separate layer and bank switching as well as 2nd PFL/AFL bus
- Global A/B input switching
- Enhanced mix-minus (N-M) control with independent off-air conference
- Fader control of all level parameters
- Diverse tally- and faderstart modes
- Program switch
- Machine control
- Audio-follow-Video, up to 128 camera tallies, Ethernet or GPI-controlled
- Manifold T/B integration
- Camera microphone remote via GPI or voltage control
External Control Systems
- Remote control of all routing parameters via network
- Remote control of monitoring units of remote positions
- Online configuration with AdminHD, graphical configuration of HD Core components
- External matrix controller: VSM, Jupiter, ProBel and others
Remote Maintenance
- Connection via Internet Remote
- Software Software updates, error diagnostics, remote
Subject to change without prior notice, no responsibility is taken for the correctness of the details provided.

