When the facts count.

Technical Data

Control Panel

Frames from 16 + 8 faders to 48 + 8 faders
6 banks per 2 layers
100 mm faders + 4 rotary controls + Input Gain Controller
Channel display for every fader with sense-triggered change of module display in the Channel Display
TFT metering mono, stereo or 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA assignment
External display of GUI pages e.g. metering
Optional: script tray, user panels for machine control, theatre application, talkback or 80-push-button module
19 inch integration, 2 RU

Signal Processing

512 channels and 144 summing buses, 40 bit floating point
Up to 376 inputs with A/B input, 48 sub groups, 32 aux sends, 96 track buses, 48 main sums, change on the fly from mono to stereo to surround channel and bus
Up to 64 surround channels, 128 VCA groups with metering, 256 GPC channels
Surround formats: DTS/Dolby Digital 5.1, Dolby Pro Logic 4.0, DTS ES / Dolby EX 6.1, SDDS 7.1, Lawo 7.1, diverse panning characteristics, surround aux buses
2* AFL: 1* surround 8-channel, 1* stereo
2* PFL stereo
Audio-follow-Video with 128 events, control either via Remote MNOPL, GPI or Matrix Connect, adjustable envelope up to 10 s fade time
Solo In Place
Permanent input measuring point in the fader, adjustable measuring points INPUT, PF, AF, DIROUT in the Channel Display
Modules: Inmix with MS-Decoder, Digital Amp, 2-band fully parametric Filter, 4-band fully parametric EQ, 2-band fully parametric Sidechain Filter, Insert, Delay up to 1800 ms, units in frm, ms and m, 4 independent Dynamics: Expander, Gate, Compressor, Limiter; Image, Meter, Direct Out
Inline configuration with send/return switching - at the channel or global
Fully equipped surround channel with coupling of all channel parameters and Hyper Panning

Routing Matrix

Up to 8192 crosspoints, non-blocking
96 kHz, 24 bit
Fully redundant signal path
Level adjustment for all inputs and outputs
Downsizing up to 7.1 to Stereo
Integrated monitoring devices for remote positions e. g. Director’s Room
Full networking of up to 16 HD Cores, share and import of sources and destinations, studio arbitration
Full snapshot and production portability independent of matrix or DSP size

Plugin Server

Full VST plugin integration with storing of plugin parameters in snapshots and productions

Interfaces

Mic/Line, with up to 127 dB dynamic range, subsonic fi lter 40, 80, 140 Hz Line Out, ADAT® (ADAT® is a registered trademark of Alesis, LLC and is used here under license.)
AES with input and output SRC, transparent Dolby E routing, balanced and unbalanced
HD-SDI with up to 270 ms delay on board, MADI 64 & 56 with fi bre or coax, ATM, GPIO, Serial, MIDI
Direct intercom connection, all interfaces with 24 bit, 96 kHz (for details see DALLIS product information)
Monitoring systems stereo and surround

Synchronisation

2 redundant inputs with automatic detection of Blackburst, Wordclock, AES3, MADI

Redundancies

Control

External Control Systems

Remote control of all routing parameters via network
Remote control of monitoring units of remote positions
Online configuration with AdminHD, graphical configuration of HD Core components
External matrix controller: VSM, Jupiter, ProBel and others

Remote Maintenance

Subject to change without prior notice, no responsibility is taken for the correctness of the details provided.